GRUSIN, Richard

The “cinema of interactions” in the title the paper alludes to Tom Gunning’s paradigmatic conception of early cinema as a “cinema of attractions.” Borrowing from the idea that electronic textuality marks what has been called the late age of print, the author argues that the history of cinema up to the present moment can be seen as an extension of early cinema.

Palavras-chave: Cinema of interaction. Digital media. Narrative.